Text 1
It’s been years since Michael Edwards, a member of the British ski jumping squad, competed
at the Calgary Winter Olympic Games in Canada in 1988. He came last in both the 70 m and
90 m jumps and got half the points of the competitor who finished second to last. It wasn’t
much of a surprise for his team members as they were aware that he had barely qualified for
the Olympics. But despite his poor record, he was so affable that he touched people’s hearts.
He even got the nickname Eddie the Eagle, which was an ironic reference to his lack of
ski-jumping skills. There was always something heroic about Edwards. As he was self-taught,
he didn’t have the appropriate technique and his jumps were terrifying, but he had been jumping
for less than two years while his rivals had been at it since they were toddlers. He was also
a working-class lad competing in an elite world of the posh and privileged. That was why
the establishment hated him, but the rest of us loved him. The British squad’s resentment only
grew after their return from Canada as they were instantly forgotten, but Eddie the Eagle was
in huge demand. Edwards had gone out to Calgary as an unknown amateur and returned home
a star.
I met him in London, where he was promoting the film Eddie the Eagle, based on his life story.
The film is about that classic British stereotype, the plucky loser. From the first scene, we see
the hapless, hopeless Edwards, determined to succeed but destined to trip up over his laces at
every finishing line. The young Eddie of the film wears leg callipers, and is constantly
discouraged from sport by his father. However, the reality was somewhat different from the
film. Young Eddie was in fact an able sportsman. He played football, cricket, rugby, volleyball.
He dabbled in everything, and was frequently on the winning side. He even had trials as
a goalkeeper for his local team, Cheltenham. Obviously, like all competitors, he had some
mishaps, but I think the filmmakers shouldn’t have focused only on that.
When Michael Edwards isn’t plugging the life story of Eddie the Eagle, he works as a builder
and plasterer. While few Britons can remember the names of the world-class jumpers he
competed against, today he still remains a household name. However, although everyone knows
who Eddie the Eagle is, he can walk anonymously in the streets of Britain because all his
characteristic features, the thick rug of hair, the specs and the chin which had the shape of
a ski-slope, have gone. When you talk to him, there is still something ineffably Eddie about
him, mainly the guilelessness and ever-ready giggle. True, I remember that in Calgary in 1988
he didn’t fly like an eagle, he was probably closer to an ostrich, but although he finished last,
he hardly disgraced himself because he completed his jumps and displayed consistent good
humour. It seems he has earned people’s abiding affection by somehow epitomizing
the Olympic motto, ‘The most important thing in the Olympic Games is not winning but taking
part’.
adapted from https://www.theguardian.com
Text 2
Interviewer: To continue with our series of programmes on what the world of work is like and
to help you choose your career path, today I’m talking to a parliamentary assistant.
Sandra, how did your career begin?
Sandra: I ended up working in parliament more by accident than design. When I was at
university I started helping in a local MP’s constituency office as a volunteer. I just
thought I would get some work experience that way. It was a real blessing as it
helped me develop a real passion for parliamentary work. Most parliamentary
assistants follow a well-trodden path: public school, studies at Oxbridge,
parliament. Those without that background, like me, have to find a different way
in. After graduation I just took a part-time job in the constituency office and worked
hard to prove that I was capable of joining the parliamentary office in London.
I love the thrill of watching the decision-making process of government at work
and feeling part of it. Parliamentary assistants are low in the food chain and many
are simply tea carriers doing mind-numbing admin work. That’s sometimes how
I feel too after I’ve sealed my thousandth envelope of the day, but generally I must
say that I feel quite fortunate. I don’t have fixed office hours and I’m given
a generous degree of autonomy and responsibility. I just have to get the work done.
The downside is that I never get a real break from work and I can be called upon
at any time.
Interviewer: And I bet that’s only one of the challenges you have to face.
Sandra:
Well, another hard part of the job for me is dealing with people’s frustrations that
spill over. In order to save an MP’s time, the procedure is that assistants are
the first in the firing line when it comes to contact with the public, whether it is in
correspondence or meetings. We have to deal with all kinds of mindless abuse, or
even threats, especially on social media. Research shows that when people do not
have to reveal their identity, they get more aggressive or offensive. Even when
people have to log on to comment, they often come up with fictitious names and
feel free to be abusive, something which rarely happened when letter writing was
the order of the day. And there is one misconception about my job that I’d like to
dispel. Many people believe that MPs, and by extension their assistants, are
detached from reality and do not realise the desperate circumstances in which some
constituents find themselves. Well, some of them might be but for me working in
an MP’s office is like having a window into the lives of the most underprivileged
in society. In our democracy, appealing to your MP is the last port of call for those
who have been abandoned or ignored. And many citizens exercise this right.
Interviewer: But overall you seem contented with what you are doing.
Sandra:
Absolutely, and what makes this job even more fascinating, is the place of work
itself, the Palace of Westminster. Despite the fact that its condition is deteriorating,
which is unfortunate, it is still a truly magnificent building – full of living,
breathing history, with a peculiar but fascinating set of codes and customs.
The place is a labyrinth of passageways, secret rooms and locked doors. It’s
certainly not as palatial as people think when they look at the impressive façade.
One would envisage spacious offices with every latest convenience you can think
of but the reality is not so rosy. Some people complain about the limited space but
for me that’s a minor issue. The real problem is that the whole place is woefully
ill-equipped for the 21st century. The Wi-Fi is agonisingly slow and the heating
comes and goes as it pleases. You wouldn’t expect that in a building that looks so
grand, would you?
adapted from www.theguardian.com